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daniel’s mix heightened and already tender experience. The experience is already special because I enjoy watching all the adults delivering their most precious of cargos and seeing the love and concern on their faces. The final reason is that I listened to daniel’s mix many places (while working, walking my dog, doing the dishes, etc.), but the place that had the most significance was in my car while driving my grandkid to day school. It was a perfect blend of the familiar and unfamiliar that his mix provided just under an hour’s with of dopamine hits. But daniel’s mix included a lot of stuff I had never heard of before, like Oliver Coates, Besombes & Rizet, and Angelo Badalamenti. This is stuff I immersed myself in the 80s and 90s, so it felt like putting on a well-worn sweater. He included some familiar and precious tracks from the likes of Miles Davis, This Mortal Coil and Skinny Puppy. The other reason today’s show is important to me is that while I love all the mixes on Soundwave, and I mean that, daniel’s mix hit me in all the right places. But what hooked me was the interview itself and daniel’s exploration of sound through this music. Initially, I read the interview simply because it was on Micro.blog, a cool social media network I am a member of. One reason is that I meant daniel through Soundwave guest deejay Michael Donaldson (listen to Michael’s mix here) when he posted an interview with daniel on his Micro.blog. Join us next week when our guest deejay will be Alex Haas.īo Hansson “Excursion With Complications”ĭaniel’s mix is important to me for several reasons. I always welcome music from Secret Chiefs, Sun City Girls, Can, and Sun Ra, and I was happy to be introduced to artists like Bo Hansson, Thomas Dinger, and Diminished Men. And Sean’s mix obviously showcases some of his obsessions in music. What I love about Sean’s mix is that it took Soundwave's instrumental aspect and ran with it. He is the co-founder of Fringe Biology Recordings (), a Seattle-based record label of outsider/self-educated recording artists specializing in experimental rock, avant-electronic music, sci-fi soundtracks, kosmische musik, and science-inspired music. In addition to the radio show, Sean is a scientist and has made music a creative outlet for about 20 years. Featuring clangy krautrock and kosmische musik, brain-melting prog, afrobeat, and jazz from Saturn, pulsing psych, weird Bungley rock, Pacific Northwest favorites, outsider music from Finland and beyond, turntable experiments, avant-metal, random radio transmissions, and even the occasional jangled pop number as long as it fits the mood. His shows are broadcasted live at the station with vinyl only, programmed from his music collection, or home recorded with two turntables and mixer fed into a recording console. Spinning strange and groovy and tunes from the deep. The station is a delight, and I became Sean’s show, Aquanautic Frequencies, and invited him to guest deejay on Soundwave.Īquanautic Frequencies broadcasts every Wednesday from 11 am-1 pm PST. I was intrigued about the station’s promise of “local music, found sound, paranormal encounters, crank calls, dreams, etc.! 24 hours a day!” and tuned it. A year ago, while perusing Boing Boing I read a post about Hollow Earth Radio, a Low Power FM (LPFM) non-commercial DIY radio station based out of Seattle.